Photo Portrait of Sleeping Women Under Couch Cushions Art

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If y'all've always taken an fine art history course or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. Equally with other subjects, near of what we learn about fine art history today still centers on white men from Europe and, later, the United States. In reality, there are so many more than artists of all genders to learn from and appreciate.

Hither, nosotros're specifically taking a look at just some of the women who take had lasting impacts on their fine art forms. From some of the art world'south virtually iconic pioneers to its nigh unsung heroes, these women artists all had a hand — and, in some cases, still accept a manus — in changing the world of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring'due south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than 30 years. After studying the work of painters similar Cézanne and Monet while away, she returned to the United States, becoming all-time known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Film Stills (1977–80). series. Photos Courtesy: Museum of Modernistic Fine art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Moving-picture show Stills (1977–lxxx) — self-portraits in which Sherman "posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media's influence over our private and collective identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a moving picture of the installation Half-A-Room, 1967, as seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might first think of Yoko Ono equally a musician and activist, merely she'southward also an achieved performance and conceptual creative person. Ono was considered a pioneer in the operation fine art movement, earning the nickname the "Loftier Priestess of the Happening".

One of her virtually revered works, Cutting Slice, was a performance she first staged in Nihon; Ono sabbatum on stage in a dainty adjust and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on stage and cutting away pieces of her vesture. "Fine art is like breathing for me," Ono has said. "If I don't do it, I starting time to choke."

Betye Saar

Betye Saar's Black Girl'due south Window, 1969 (total and particular). Photos Courtesy: Museum of Modernistic Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective changed her entire career trajectory — and, in plough, function of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the play tricks is to seduce the viewer," Saar has said. "If you can get the viewer to look at a piece of work of art, so you might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo'due south 1939 painting Las Dos Fridas at the World Forum of Civilization in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology'due south rare to detect someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes similar death and identity through her self-portraits. Kahlo frequently used assuming, vivid colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist move.

Yayoi Kusama

A viewer photographs within the Backwash of Obliteration of Eternity room during a preview of the Yayoi Kusama'southward Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young historic period, but she's besides known for her hyper-real sculptures, polka dots, installations, and then much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (50) and artist Amy Sherald (R) unveil Mrs. Obama'southward portrait at the Smithsonian'southward National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more common in portraiture writ big in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale skin tones — every bit she was the first Black adult female to complete a presidential portrait for the Smithsonian'southward National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Serial Cherry With Xanthous in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the female parent of American modernism, you probable associate Georgia O'Keeffe with her paintings of New United mexican states's landscapes, flowers, skulls, and, just perhaps, the skyscrapers of New York City. In the 1920s, she was the showtime woman painter to gain the respect of the New York art world, all by painting in her unique manner.

Adrian Piper

Adrian Piper wins the Gilt Panthera leo for best artist in Okwui Enwezor'southward biennial exhibition All the World'southward Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Enkindling/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question society, identity, and racial politics by demanding the audition to confront truths almost themselves. She oft challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her apparel.

Shirin Neshat

Shirin Neshat's poses in front end of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — earlier the Islamic republic of iran Islamic Revolution took place. She is best known for her photography, film, and video piece of work, much of which explores the human relationship between Islam'southward cultural and religious systems and women. Moreover, Neshat'due south works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front end of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

Every bit a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on various concepts, such as trauma, knowledge, and promise. One of her more notable works, I Olfactory property You On My Peel, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Ago)

Much of Rebecca Belmore'due south fine art addresses identity and history — and, in item, houselessness and the voicelessness of the Beginning Nations People in Canada. Every bit an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is better known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual fine art were the principal styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Picayune Sense of taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures inside the early Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the get-go feminist fine art program in the United States.

Augusta Savage

Augusta Fell with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Eatables

Augusta Vicious was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating scenic sculptures, oftentimes of Black folks, Savage founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years afterward, she became the first Blackness American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modernistic Fine art (MoMA)

Known for her provocative functioning art practices, Carolee Schneemann is considered the progenitor of "torso art". (Just expect upwardly her most famous work, Interior Scroll, and you'll see what we mean.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York City'southward queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this wait similar an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went by her last name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-name artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite angry. Withal, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based creative person, Asawa's terminal public commission was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during World State of war II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the historic period of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Withal from Sin Sol (No Sun) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, writer, theorist, and assistant professor who won an Affect Accolade at the Indiecade Festival in 2020 and the Creative Laurels from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global bug such as racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who too specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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